La Muerte y La Doncella By Ariel Dorfman Production

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Director
Dante
Director and actor at Eslabon and Mutan Teatro Company in Uruguay . Founder of Teatro Publico de Cleveland under Public Theater Company. Director of "Mi Muñequita" , "Uz" (CPT), "Labio de Liebre " (CPT) ,Teatro Publico de Cleveland. 2018 founder member of LatinUs Theater Company. Last production, La Cueva De Salamanca .
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Assistant Director
Nathalie Bermudez
She is original from Colombia. Studied dramatic art in :Academia de Actuacion Estudio de Actores in Cali,Colombia. Some of her theater working titles are, Tu y Yo Somos tres, Ojos de Mujer Fatal, Colombia. Where is my Home, Labio de Liebre at CPT/TPC. She is now doing pursuing another degree in liberal arts from Tri-C. Painting and graphic designer. Last production, La Cueva De Salamanca.
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Stage Manager
Nathalia Posner
Born and raise in Caracas, Venezuela and graduated in Business Management and with a Master’s degree in Marketing at José María Vargas University. In 202 moved to Cleveland, Ohio, where she completed three degrees in International Business, Accounting and Purchasing Management. She has been teaching Spanish for 22 years and currently works as a Bilingual Instructor at Cleveland Metropolitan School District. She is with LatinUs Theater Company since 2018 where she was stage manager for the theatrical piece La Cueva de Salamanca by Cervantes and now for La Muerte y La Doncella.
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Set and Costume Designer
Inda Blatch-Geib
Inda Blatch-Geib’s work as a costume and production designer for over 900 theatrical, commercial, and film releases has spanned 30 years and crossed 4 continents. Ms. Blatch-Geib’s costume and puppet designs will be seen on Broadway this November in a special production of KRIS KRINGLE THE MUSICAL. Her Production Design work takes an interior design twist with a new club owned by Machine Gun Kelly, opening soon. Current commercial work includes: Costume Design for The Cleveland Cavaliers’ 1970’s and 80’s themed videos and 5 national spots for the team. Print designs have included set styling for Harper’s Bazaar UK's Scarlett Johansson cover and spread as well as catalogue set styling for Foundations and Kilgore Trout. Ms. Blatch-Geib’s designs have been showcased in exhibits at The Smithsonian Institute as well as national and regional commercials including Microsoft, McDonald’s, Under Armour, TroyBuilt, The Original Mattress Factory, and Momentive.
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Light Designer
Adam Ditzel
Adam is a Lighting Designer and assistant for theatre, dance, opera, concerts, and other live events. He graduated from the University of Cincinnati College-Conservatory of Music (CCM) with a BFA in Lighting Design Technology. He is currently based in Cleveland, Ohio.
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Visual Designer
Val Kozlenko
Val Kozlenko (KENNETH) is a Cleveland based theater artist making his Dobama Theatre debut. Recent performing credits include Who We Used To Be, Tall Skinny Cruel Cruel Boys, Code: Preludes, Inoculations, and Crave with Theater Ninjas; Standing on Ceremony, Spirits to Enforce, Titus: A Grand and Gory Rock Musical, Loush Sister's DO the Nutcracker, and The Secret Social at Cleveland Public Theatre; Scenic design credits include Spirits to Enforce, Left in Ink, Drowning Girls, and Tender Napalm at CPT; Tall Skinny Cruel Cruel Boys, [sic], and Marble Cities with Theater Ninjas; A Streetcar Named Desire with Cleveland Opera Theater; Gianni Schicchi with Oberlin in Italy.
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Marketing/Supertitles
Isabel Galvez
Isabel is a Cleveland-based marketing specialist and professional translator from Lima, Perú. She works at Sherwin-Williams, The Americas Group, Residential Marketing Department, and is Owner & CEO of IG GLOBAL SOLUTIONS, a translations small business. She obtained her BA in Marketing Communications from Cleveland State University and cultivates her passion for Latin American culture, music and performing arts serving in the Board of LatinUs Theater Company
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Marketing
Pablo Santiago
Pablo Santiago was born in Yauco, Puerto Rico and moved to Cleveland in 2005. He lives in Old Brooklyn with his family and works at the City of Cleveland and La Mega 87.7 Radio Station for the Cleveland Browns and Cavaliers in Spanish. Pablo started in theater as a founding member of Teatro Público de Cleveland, participating in several plays: Cuando Cierras Your Eyes (2013), Recipe para la Vida (2014), Celebrando 3 Años (2016), and En el Tiempo de las Mariposas (2017). More recently he joined LatinUs Theater Company and was part of the cast of its first theater production, La Cueva de Salamanca, by Miguel de Cervantes (2018) in the role of Sacristán Reponce, the Sexton

Playwriter

Ariel Dorfman, (born May 6, 1942, Buenos Aires, Argentina), Chilean American author and human rights activist whose plays and novels engage with the vibrant politically engaged Latin American literary tradition of Pablo Neruda and Gabriel García Márquez.

Dorfman’s family moved from Argentina to the United States while he was still an infant and then to Chile in 1954. He attended and eventually taught at the University of Chile in Santiago. From 1970 to 1973 Dorfman served as a cultural adviser in the administration of Salvador Allende, Chile’s first socialist president, whom the U.S. government actively opposed. In September 1973 Allende’s democratically elected government was violently overthrown in a military coup that put the dictator Gen. Augusto Pinochet in power. Dorfman was forced into exile, living and writing in the United States until the restoration of Chilean democracy began in 1990. In 1985 he began teaching literatureand Latin American studies at Duke University.

Dorfman’s play La muerte y la doncella (1990; Death and the Maiden), perhaps his best-known work, was completed in Chile as he observed his country’s painful transition from authoritarianism to democracy. The politically charged play follows Paulina Salas, a former political prisoner in an unnamed Latin American country, whose husband unknowingly brings home the man she believes to have tortured and raped her more than 20 years before. It is a drama rooted in Chile’s particular human rights crisis, yet the lyrical power of Dorfman’s writing made the play a touchstone for exploring similar issues around the world. In 1994 the play was adapted for film by the director Roman Polanski.